1989 Time Reprieved, Time Retrieved The first major exhibition on WHF Talbot to tour Europe and was part of the sesquicentennial celebration for the announcement of the invention of photography. This exhibition and the subsequent publication was drawn from images from the Lacock Abbey and Science Museum Collections. One of the principal aims of the exhibition was to make available a significant number of Talbot’s images which survive only in negative form. It was the largest exhibition ever staged of his images, the full exhibition comprised of 80 original prints and 60 new silver / salt paper prints taken from the original negatives. The resultant surrogate negatives were printed in the sunlight following the same photo-chemical processes used by Nicolaas Henneman at the Reading Establishment.

1989 The Romantic Era: Il Calotypo in Italia Exhibition of the work of three early English photographers in Italy using the calotype and waxed paper processes between 1846 and 1860; the Reverend Calvert R Jones, the Reverend George Wilson Bridges and William Robert Baker. A total of 82 new salt paper prints were made using surrogate negatives. Exhibited in Florence at the Rucelli Palace and in the Alinari Gallery, Rome. Project originated by Archive Alinari, Florence and the Casa di Resparmio.

1989 Fox Talbot and the Family Connection An exhibition of the work of three photographers who principally employed WHF Talbot’s calotype process between 1841 and 1860; WHF Talbot, John Dillwyn Llewelyn and Neville Story Maskelyne. A British Council Travelling Exhibition. Exhibited between 1989 and 1994 in Mexico, Peru, Venezuela, Brazil, China, Korea, Oman.

1990 Fotografi e Fotografia Bologna 1839 a 1900 Salt paper prints made from the original calotype negatives from the Lacock Abbey Collection which have no known surviving examples. An exhibition organised by the Cinetecca di Comune di Bologna.

1990 James Robertson, Photographer 60 Exhibition prints made for a British Council Touring Exhibition of the work of this Scottish photographer working in Turkey and at Crimea in the mid 1850s. Exhibited at the University of Miramar Gallery, Istanbul.

1992 The Fisherfolk of the Firth of Forth: The Newhaven Project An exhibition introducing newly discovered images by Hill and Adamson of the Firth of Forth fishing community, shown at the Scottish National Portrait Gallery 1991/2 and also at the Musée d’Orsay, Paris January 1993. 32 new silver / salt paper prints taken from the original calotype paper negatives.

1993 Fox Talbot and the Family Connection: The work of William Henry Fox Talbot, John Dillwyn Llewelyn and Neville Story Maskelyne A British Council Touring Exhibition which has been augmented with 14 original images loaned from the Lacock Abbey Collection shown at the Fondación Natwest Gallery in Madrid.

1993 Victorian Photography An exhibition curated by Pamela Roberts and Michael Gray from the archives of the Royal Photographic Society augmented with 14 original images loaned from the Lacock Abbey Collection shown at the Fondación Natwest Gallery in Madrid and at the Municipal Gallery, St Xavier, Spain.

1993 Fox Talbot and the Family Connection: The Work of William Henry Fox Talbot, John Dillwyn Llewelyn and Neville Story Maskelyne A British Council Touring Exhibition shown during the European Society for the History of Photography’s 1993 Symposium, Barcelona.